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	<title>David Jonathan Ross - DJR</title>
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	<link>http://djr.com</link>
	<description>Typeface design and typography by David Jonathan Ross, including the Trilby font, Manicotti font, and Climax font.</description>
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		<title>Manicotti is on MyFonts!</title>
		<link>http://djr.com/2010/06/manicotti-is-on-myfonts/</link>
		<comments>http://djr.com/2010/06/manicotti-is-on-myfonts/#comments</comments>
		<pubDate>Fri, 11 Jun 2010 15:28:55 +0000</pubDate>
		<dc:creator>David</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[manicotti]]></category>
		<category><![CDATA[release]]></category>

		<guid isPermaLink="false">http://djr.com/?p=356</guid>
		<description><![CDATA[
It&#8217;s been a long time since I started drawing Manicotti, but I&#8217;m happy to report that my revision is complete and it is now available for purchase through MyFonts.
]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.myfonts.com/fonts/djr/manicotti"><img src="http://djr.com/wp-content/uploads/2010/06/manicotti_myfonts.png" alt="Manicotti on MyFonts" /></a></p>
<p>It&#8217;s been a long time since I started drawing Manicotti, but I&#8217;m happy to report that my revision is complete and it is now <a href="http://www.myfonts.com/fonts/djr/manicotti">available for purchase through MyFonts</a>.</p>
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		<title>Who Shot the Serif?</title>
		<link>http://djr.com/2010/02/who-shot-the-serif/</link>
		<comments>http://djr.com/2010/02/who-shot-the-serif/#comments</comments>
		<pubDate>Sat, 27 Feb 2010 22:20:31 +0000</pubDate>
		<dc:creator>David</dc:creator>
				<category><![CDATA[Type samples]]></category>
		<category><![CDATA[Allan Haley]]></category>
		<category><![CDATA[How Magazine]]></category>
		<category><![CDATA[trilby]]></category>

		<guid isPermaLink="false">http://djr.com/?p=309</guid>
		<description><![CDATA[
My quote from Allan Haley&#8217;s very nice piece on Trilby in February&#8217;s issue of HOW Magazine, part of an article featuring new serif faces.
]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.djr.com/wp-content/uploads/2010/02/howHaleyArticle.png" alt="I'm convinced that reversed-stress slabs can offer more to typography than the novelty of gunslingers and swinging saloon doors. There's something enticing about their clunky backwardness that should not be left out of our typographic vocabulary." class="img_margin" /></p>
<p>My quote from <a href="http://type101.fontbureau.com/archives/681">Allan Haley&#8217;s very nice piece on Trilby</a> in February&#8217;s issue of <a href="http://www.howdesign.com">HOW Magazine</a>, part of an article featuring new serif faces.</p>
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		<title>Laufskálavarða</title>
		<link>http://djr.com/2010/02/laufskalavardha/</link>
		<comments>http://djr.com/2010/02/laufskalavardha/#comments</comments>
		<pubDate>Mon, 22 Feb 2010 23:10:23 +0000</pubDate>
		<dc:creator>David</dc:creator>
				<category><![CDATA[Type samples]]></category>
		<category><![CDATA[Iceland]]></category>
		<category><![CDATA[Laufskálavarða]]></category>
		<category><![CDATA[trilby]]></category>

		<guid isPermaLink="false">http://djr.com/?p=304</guid>
		<description><![CDATA[
Just got back from Iceland. Cool name, cooler place. Set in Trilby-Medium Italic.
]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.djr.com/wp-content/uploads/2010/02/laufskalavardha.png" alt="Laufskálavarða" class="img_margin" /></p>
<p>Just got back from Iceland. Cool name, cooler place. Set in <a href="http://www.djr.com/typefaces/trilby">Trilby-Medium Italic</a>.</p>
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		<title>Font Aid Ampersand</title>
		<link>http://djr.com/2010/01/font-aid-ampersand/</link>
		<comments>http://djr.com/2010/01/font-aid-ampersand/#comments</comments>
		<pubDate>Sat, 30 Jan 2010 21:46:47 +0000</pubDate>
		<dc:creator>David</dc:creator>
				<category><![CDATA[Type samples]]></category>
		<category><![CDATA[ampersand]]></category>
		<category><![CDATA[fat face]]></category>
		<category><![CDATA[glyph]]></category>

		<guid isPermaLink="false">http://djr.com/?p=297</guid>
		<description><![CDATA[
Pulled from an old project for Font Aid IV.
]]></description>
			<content:encoded><![CDATA[<p><img src="http://djr.com/wp-content/uploads/2010/01/fontAidAmpersand.png" alt="Ampersand" title="Ampersand" width="860" height="315" class="img_margin" /></p>
<p>Pulled from an old project for <a href="http://www.typesociety.org/fontaid.html">Font Aid IV</a>.</p>
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		<title>Using Trilby in display</title>
		<link>http://djr.com/2009/10/using-trilby-in-display/</link>
		<comments>http://djr.com/2009/10/using-trilby-in-display/#comments</comments>
		<pubDate>Tue, 20 Oct 2009 23:17:06 +0000</pubDate>
		<dc:creator>David</dc:creator>
				<category><![CDATA[Typography and design]]></category>
		<category><![CDATA[display]]></category>
		<category><![CDATA[trilby]]></category>

		<guid isPermaLink="false">http://djr.com/?p=245</guid>
		<description><![CDATA[


Trilby&#8217;s open shapes and generous spacing make it well-suited for text and mid-range settings. At the same time, Trilby&#8217;s distinctive shapes can really pop at display sizes.


When setting Trilby in display, I like to make a few tweaks to help it work better. The above example shows Trilby Bold with its default settings.



Adjust tracking. Depending [...]]]></description>
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<div class="sixcols"><img src="http://djr.com/wp-content/uploads/2009/10/091020_California01.png" alt="California" class="img_margin" /></div>
<div class="threecols">
<p><a href="http://www.djr.com/typefaces/trilby">Trilby</a>&#8217;s open shapes and generous spacing make it well-suited for text and mid-range settings. At the same time, Trilby&#8217;s distinctive shapes can really pop at display sizes.</p>
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<p>When setting Trilby in display, I like to make a few tweaks to help it work better. The above example shows Trilby Bold with its default settings.</p>
</div>
<div class="sixcols"><img src="http://djr.com/wp-content/uploads/2009/10/091020_California02.png" alt="California" class="img_margin" /></div>
<div class="threecols">
<p><strong>Adjust tracking. </strong>Depending on the size, tightening the tracking by -25 to -35 units will usually do the trick, although I&#8217;ve used more extreme tracking with all-italics settings. I pay close attention to how the tracking affects whitespace between the serifs.</p>
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<div class="threecols">
<p><strong>Disable ligatures. </strong>I usually turn off standard ligatures since they can create gaps once negative tracking is applied, but leave Contextual Alternates on to minimize collisions.</p>
</div>
<div class="sixcols"><img src="http://djr.com/wp-content/uploads/2009/10/091020_California04.png" alt="California" class="img_margin" /></div>
<div class="threecols">
<p><strong>Try the short <em>f</em>. </strong>I sometimes turn on Stylistic Set 17 to replace the default lowercase <em>f </em>with a shorter alternate that doesn&#8217;t hang over the following letter.</p>
</div>
<div class="threecols">
<p><strong>Take advantage of stylistic alternates. </strong>Trilby comes with various stylistic alternates, including a barred capital <em>A</em>, a looped capital <em>Q</em>, and single story forms of lowercase <em>a</em> and <em>g</em>. Using these can give the face an entirely new look.</p>
</div>
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		</item>
		<item>
		<title>Trilby fist</title>
		<link>http://djr.com/2009/10/trilby-fist/</link>
		<comments>http://djr.com/2009/10/trilby-fist/#comments</comments>
		<pubDate>Mon, 19 Oct 2009 23:49:49 +0000</pubDate>
		<dc:creator>David</dc:creator>
				<category><![CDATA[Type samples]]></category>
		<category><![CDATA[fist]]></category>
		<category><![CDATA[glyph]]></category>
		<category><![CDATA[manicule]]></category>
		<category><![CDATA[trilby]]></category>

		<guid isPermaLink="false">http://djr.com/?p=235</guid>
		<description><![CDATA[
]]></description>
			<content:encoded><![CDATA[<p><img src="http://djr.com/wp-content/uploads/2009/10/Trilby_fist.png" alt="fist" title="fist" width="860" height="500" class="img_margin" /></p>
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