This poster uses Fit’s squarest style to display the legendary Sator Square, an ancient word square whose five Latin words can be read in any direction. Its vowels are in red and its consonants are in black. The poster is 18″ × 18″ (45.72cm × 45.72cm), and was silkscreened by The Headlight in Providence, RI.
This poster uses Pappardelle to set pangrams in concentric circles of various sizes. Even as the font size changes, Pappardelle’s thin vertical stems stay the same thanks to its variable contrast axis. The poster is 18″ × 18″ (45.72cm × 45.72cm), and was silkscreened by The Headlight in Providence, RI.
It’s Map Roman’s long-legged capital R, set against a split fountain of deep reds. The leg on the R is so long that it extends into the margin, adding complexity to the figure/ground relationship. The poster is 18″ × 18″ (45.72cm × 45.72cm), and was silkscreened by The Headlight in Providence, RI.
This pair risograph prints feature distinctive glyphs from my typefaces Roslindale and Gimlet. As with many Risograph prints, they have super-bright colors and roller marks. Each poster is 11″ × 17″ (27.94cm × 43.18cm), and was printed by Clatter Press in Columbus, OH.
Update! This collection now includes a bonus lowercase alphabet from Roslindale Ultra, printed by Visual Issues in Los Angeles, CA.